黎紫书《流俗地》中的马华女性书写与主体觉醒
Malaysian Chinese Women’s Writing and the Awakening of Subjectivity in Li Zishu’s Land of Mundanity

刘筱晗 LAU Xiao Han
国立东华大学华文文学系文学暨文化研究组硕士生。
E-mail: [email protected]

摘 要

黎紫书于2020年出版的长篇小说《流俗地》以锡都为时空坐标，细腻勾勒出马华女性——尤其是身处社会底层与边缘弱势群体的生命图景。面对种族政治、父权结构与阶级固化的多重压迫，小说不仅书写了她们的肉身苦难，更着重刻画出她们如何在破碎的现实中挣脱客体化的命运，进而在边缘处境中重构自我、确立主体意识的觉醒过程。本研究将以《流俗地》为核心文本，探讨父权体制下女性的被型塑与反抗，通过剖析角色在压抑中展现的能动性，进而关照部分当代马华女性于现代化过程中的身份矛盾与精神突围。

关键词：黎紫书、《流俗地》、女性书写、女性主体

Abstract

Land of Mundanity by Li Zishu was published in 2020, utilizes the chronotope of “Xidu” to intricately delineate the lived experiences of Malaysian Chinese women, particularly those from the social lower-class and marginalized groups. Confronting the intersectional oppression of ethnicity, patriarchal structures, and rigid class stratification, the narrative goes beyond chronicling their corporeal suffering and emphasises their struggle to transcend the destiny of objectification within a fractured reality. The novel traces their awakening process, self-reconstruction, and the assertion of subjectivity. Taking Land of Mundanity as primary text, this study examines the dialectic of female shaping and resistance under the patriarchal regime. By analyzing the agency manifested by characters amidst repression, the research further illuminates the identity contradictions and spiritual transcendence of certain contemporary Malaysian Chinese women throughout the modernisation process.

Keywords: Li Zishu, Land of Mundanity, Feminist Writing, Female Subjectivity

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